Robert Worsfold is a Commercial Law trainee at DWF. Working with a range of clients, he notes that “a commercial seat particularly hones and develops drafting and client communication skills”. The area of law is vast, but stimulating…
In just a few words, could you explain the sort of work you do in commercial law?
Commercial law is vast, but at its most basic, the work can be regarded as the reviewing and drafting of commercial contracts, and providing commercial solutions to clients.
How has this seat developed your commercial awareness?
Reviewing agreements on a daily basis really forces you to consider the drivers of a commercial deal.
Some aspects of an agreement may be critical to one client, such as providing for a short payment period, asserting ownership of intellectual property or including a non-solicitation clause, whereas other clients may consider such issues as less crucial to their business.
The seat therefore requires an awareness of the commercial priorities of each client, together with an appreciation of the practical implications of the agreement.
However, commercial awareness is not just confined to the drafting and negotiation of particular clauses. It also includes an appreciation of the manner and format of presenting back to the client.
Commercial work often involves producing high level reviews of agreements, where precise and concise communication is crucial. Other clients may prefer a more detailed analysis/report of the risks involved.
Sitting in commercial has developed my ability to analyse the priorities and concerns of clients and communicate those findings effectively back to those respective clients.
What kind of projects have you been working on so far? Do you tend to take on short-term tasks or work on longer-term projects?
Whilst commercial generally offers a mix of long and short term work, the bulk of my workload in the seat has been relatively short-term isolated tasks.
More time-consuming work has ranged from drafting services agreements for the leading UK provider of training conference facilities to running matters for an international supplier of in-flight goods.
This included amending, advising on and producing high level reviews of various framework and goods and services agreements.
Some smaller, more isolated tasks have included preparing new terms and conditions for certain clients, and drafting simple variation agreements and intellectual property assignments.
Does your work put you in direct contact with clients?
From my experience, commercial work requires you to have regular direct client contact. In order to ensure that the final agreement reflects the client’s priorities and concerns, there must be clear and constant dialogue with that client.
The format of that contact is predominantly by email, but the work also includes regular telephone calls and meetings with clients.
Moreover, there is direct client contact when summarising agreements as part of a contract review – clear and concise client communication is an important aspect of a commercial seat.
How does this seat compare with others you have completed?
Commercial is a challenging but thoroughly beneficial seat. It requires an appreciation of the client’s circumstances and a consideration of the practical and commercial implications of each aspect of the agreement.
Given the nature of the work, a commercial seat particularly hones and develops drafting and client communication skills. The work is stimulating and is far less process driven than the previous contentious seats I have experienced.
After completing a commercial seat, I feel more equipped to deal with the commercial issues that will crop up when working in any practice area.